Tania Franco KleinRAGE™

Constructed photographs, many of them self-portraits, in which Franco Klein treats rage as the defining emotion of the moment, both felt and manufactured.

In her first solo show with the gallery, Franco Klein looks at rage both as a fair response to the times and as something media and politics stoke for engagement, the idea behind the trademark sign in the title. Photographs such as The Scream (self-portrait) and Not, Sleepwalker (after Eric Fischl) borrow from painting, film and advertising.

Also on view are tall panels on aluminum from a series titled Manifesto: Scream and Subtitle, and lines of text engraved in marble and granite.

Full details at yanceyrichardson.com