Clemen ParrocchettiUn orlo a giorno per il mio diario (A hemstitch a day for my diary)

Embroidered tapestries, assemblages and paintings from the 1970s by the Milanese feminist artist, who turned household materials into political statements.

The gallery’s second show of Parrocchetti (1923–2016) concentrates on about ten years of her work. At its center is a sculpture from Le Barriere (1978), an inverted-triangle display frame made with the feminist Gruppo Immagine of Varese, with whom she showed at that year’s Venice Biennale.

Around it are the embroidered jute tapestry Telaio infranto (Il cuore della vita) of 1978, two paintings of 1975 including No alla fallocrazia, an assemblage with a press clipping of Ulrike Meinhof, and excerpts from her diaries and a 1978 conference speech.

Full details at chertluedde.com