# SFMOMA

Museum in SoMa, San Francisco, one of On View's top museums there.

- Address: 151 3rd St, San Francisco, CA 94103
- Website: https://www.sfmoma.org
- Directions: <https://www.google.com/maps/dir/?api=1&destination=SFMOMA%2C%20151%203rd%20St%2C%20San%20Francisco%2C%20CA%2094103>
- On the map: https://onview.so/sf/map/sfmoma

## Exhibitions

### Graciela Iturbide: *Between Two Worlds*

Jul 11 – Nov 29, 2026 · on view · Floor 3

- Thu, Oct 29, 2026: Works on Paper Book Club: Eat the Mouth That Feeds You by Carribean Fragoza, 6 pm

A retrospective of the Mexico City photographer, covering more than five decades.

Iturbide works mostly in black and white. Her pictures of markets, festivals, rituals, botanical gardens and the symbols of birth and death in her native Mexico hang beside self-portraits and photographs made in India, Madagascar, Italy and the United States.

Fundación Mapfre organized the retrospective with SFMOMA; the San Francisco showing is curated by Delphine Sims with Alex Landry.

Full details: [sfmoma.org](https://www.sfmoma.org/exhibition/graciela-iturbide-between-two-worlds/)

On On View: https://onview.so/sf/sfmoma/between-two-worlds

### *Klee Behind the Mask*

Aug 8, 2026 – Apr 18, 2027 · on view · Floor 2

Paul Klee and the mask as a way of picturing identity.

The show follows the mask through Klee’s work, from early caricature to the simplified, interlocking figures he made after the First World War, and sets it beside Dada and Surrealist artists including Man Ray and Claude Cahun.

Full details: [sfmoma.org](https://www.sfmoma.org/exhibition/klee-behind-the-mask/)

On On View: https://onview.so/sf/sfmoma/klee-behind-the-mask

### *Feel the Beat: Dance in Photographs*

Group exhibition · May 16, 2026 – Feb 28, 2027 · on view · Floor 3

Photographs of dancers, from the stage to the nightclub, by Imogen Cunningham, Eikoh Hosoe, Malick Sidibé, Nan Goldin and others.

Drawn mostly from the museum’s collection, it opens with the Bay Area choreographer Anna Halprin, turns to collaborations such as Eikoh Hosoe’s Kamaitachi with the Butoh founder Tatsumi Hijikata, and ends on the dance floor with Malick Sidibé’s Mali Twist.

Full details: [sfmoma.org](https://www.sfmoma.org/exhibition/feel-the-beat-dance-in-photographs/)

On On View: https://onview.so/sf/sfmoma/feel-the-beat-dance-in-photographs

### O. Smith: *Artivist*

Jul 25, 2026 – Jul 4, 2027 · on view · Floor 2

Pencil drawings on the criminal legal system by an artist incarcerated at San Quentin.

Orlando Smith began drawing more than forty years ago under the influence of Marvel comics and has since produced nearly seventy graphic novels. After the pandemic he turned to illustrated journalism about life inside the prison, with particular attention to its aging population.

Full details: [sfmoma.org](https://www.sfmoma.org/exhibition/orlando-smith/)

On On View: https://onview.so/sf/sfmoma/artivist

### *Table Manners*

Group exhibition · Sep 14, 2024 – May 9, 2027 · on view · Floor 3

Virgil Abloh, Joe Colombo, Zaha Hadid, Roberto Lugo and others

Nearly a century of designed tableware, flatware and drinkware exploring the ritual and performance of dining.

Drawn from SFMOMA’s Architecture and Design collection, the show gathers plates, cups and utensils spanning almost 100 years to trace how design shapes eating, the body and community. Pieces range from a self-filling wine glass and a teapot made of tea to modernist spoons and flatware made from discarded CDs.

Works by Virgil Abloh, Joe Colombo, Zaha Hadid and Roberto Lugo appear alongside illustrations and textiles by Lucy Stark.

Full details: [sfmoma.org](https://www.sfmoma.org/exhibition/table-manners/)

On On View: https://onview.so/sf/sfmoma/table-manners

### *RM x SFMOMA: Between You and Me*

Group exhibition · Oct 3, 2026 – Feb 7, 2027 · on view · Floor 7

Yun Hyong-keun, Mark Rothko, Yves Klein and others

Nearly 150 works from RM of BTS’s own art collection, paired with pieces from SFMOMA’s holdings, centered on Korean art.

Nearly 150 works from RM’s personal collection are shown with pieces from SFMOMA’s own. The core is modern and contemporary Korean art, by Yun Hyong-keun, Park Rehyun, Chang Ucchin and others, with ceramics, calligraphy, painting and sculpture reaching back to the fifth century; many have never been shown in the US.

Korean works are set beside pieces by Mark Rothko, Yves Klein, Wayne Thiebaud and others. RM curated the show with two SFMOMA curators and wrote its wall texts by hand; he also narrates the audio guide.

Full details: [sfmoma.org](https://www.sfmoma.org/exhibition/rm-x-sfmoma/)

On On View: https://onview.so/sf/sfmoma/rm-x-sfmoma-between-you-and-me

### Ramekon O’Arwisters: *In Between*

From Sep 3, 2026 · on view · Floor 2

A free installation of everyday objects such as tricycles, sewing machines and musical instruments, arranged to prompt creative reflection.

Ramekon O’Arwisters draws on decades of work in textile and craft to make a room where familiar objects are set in unexpected company. Tricycles, sewing machines and instruments are shown both as skilled handiwork and as tools of play, inviting visitors to look again and form their own meanings.

The installation reflects the artist’s own experience and treats craft as care, healing and resilience, and creativity as something shared. It sits in the Koret Education Center and is free to enter.

Full details: [sfmoma.org](https://www.sfmoma.org/exhibition/in-between/)

On On View: https://onview.so/sf/sfmoma/in-between

### Susan Philipsz: *Songs Sung in the First Person on Themes of Longing, Sympathy and Release*

Dates not published · on view · Floor 7

An outdoor sound installation on the Floor 7 terrace: the artist’s unaccompanied voice singing pop songs through a single speaker.

Made in 2003 and shown here for the first time in the US, the work plays Susan Philipsz’s own untrained voice singing a cappella versions of songs by Teenage Fanclub, Soft Cell, The Smiths and Gram Parsons from one speaker.

Philipsz often draws on popular music for its power to stir emotion and shared memory. Heard against views of downtown San Francisco, the piece shifts with the surrounding architecture, light and city noise. It is in SFMOMA’s collection.

Full details: [sfmoma.org](https://www.sfmoma.org/exhibition/susan-philipsz/)

On On View: https://onview.so/sf/sfmoma/songs-sung-in-the-first-person-on-themes-of-longing-sympathy-and-release

### Rose B. Simpson: *Behold*

Dates not published · on view · Floor 4, Outdoor Terrace

A 24-foot outdoor sculpture of a parent and child joined at the hip, linked by beaded necklaces and a ladder.

Simpson’s sculpture rises over the museum’s façade as two figures, parent and child, attached at the hip and connected by beaded necklaces and an ornamental ladder. It honors relationships, intergenerational bonds and spiritual witnessing rather than individuals.

Conceived for the site, it works as a counter-monument to the colonial violence of the California Mission system and the erasure of Native peoples in San Francisco. The parent figure looks out over the city, and the work is visible from as far as Yerba Buena Gardens.

Full details: [sfmoma.org](https://www.sfmoma.org/exhibition/rose-b-simpson-behold/)

On On View: https://onview.so/sf/sfmoma/behold

### Jacob Hashimoto: *Giant Arc*

Dates not published · on view · Floor 1

A room-filling installation of nearly 75,000 hand-built bamboo and Japanese paper kites suspended as a cloud canopy.

Hashimoto builds his installations from thousands of handmade kites of bamboo and Japanese paper, hung together so they seem to drift through the air. Some are blank or solid-colored; others carry layered collaged-paper graphics.

For SFMOMA he makes the largest work of his career, a canopy of nearly 75,000 elements covering the Roberts Family Gallery from floor to ceiling and wall to wall. The gallery is free to enter.

Full details: [sfmoma.org](https://www.sfmoma.org/exhibition/jacob-hashimoto-giant-arc/)

On On View: https://onview.so/sf/sfmoma/giant-arc

### Barbara Stauffacher Solomon: *Strips of Stripes*

Dates not published · on view · Floor 2

A large-scale supergraphic commission of bold stripes and the letters “OK” painted across the museum’s lobby walls and ceilings.

Stauffacher Solomon’s newest supergraphic links the striped motif of the 1996 Mario Botta building with the open space of the 2016 Snøhetta expansion. Stripes and the letters “OK” run across walls and ceilings, responding to the architecture around them.

She invented supergraphics in the 1960s, first for The Sea Ranch, and designed SFMOMA’s monthly program guides from 1962 to 1972. The work is free to see on Floor 2.

Full details: [sfmoma.org](https://www.sfmoma.org/exhibition/barbara-stauffacher-solomon-strips-of-stripes/)

On On View: https://onview.so/sf/sfmoma/strips-of-stripes

### Yuri Suzuki: *Arborhythm*

Dates not published · on view · Howard Street Entrance

A seating sculpture of tree-like, brightly colored speakers playing a remixed soundtrack of San Francisco field recordings.

Suzuki’s sculpture invites visitors to sit and listen to a continually remixed soundtrack of natural and urban sounds recorded in and beyond San Francisco. Its tree-like speakers give the work its title, and its bright colors recall Bay Area sunsets and landmarks such as the Golden Gate Bridge.

The artist layers the local sounds to help people relax and de-stress. It was commissioned alongside the exhibition Art of Noise and is free to see at the top of the stairs.

Full details: [sfmoma.org](https://www.sfmoma.org/exhibition/arborhythm/)

On On View: https://onview.so/sf/sfmoma/arborhythm

### Raven Chacon: *New Work*

Oct 24, 2026 – Nov 7, 2027 · coming up · Floor 6

- Fri, Oct 23, 2026: Member Previews, through Oct 24

A seven-channel video work pairing found 1950s–60s travel footage with Chacon’s electronic score, shown alongside drawings of Earth and Mars canyons.

In The Naming of Names, a seven-channel video installation, Chacon layers silent 1950s and ’60s travel footage from the Prelinger Archives with his own field recordings and electronic music, recasting Navajo Nation’s deserts and canyons as otherworldly terrain that unsettles the colonial gaze behind the original images.

Nearby, topographical drawings overlay Canyon de Chelly with Mars’s Valles Marineris, linking canyons on two worlds. It is Chacon’s first West Coast solo exhibition, opening during the United States’ Semiquincentennial.

Full details: [sfmoma.org](https://www.sfmoma.org/exhibition/new-work-raven-chacon/)

On On View: https://onview.so/sf/sfmoma/new-work

### Sarah Sze: *Forever is Composed of Nows*

From Nov 21, 2026 · coming up · Floor 1

A site-specific atrium commission of three new paintings, video projections and pulsing soundscapes across several floors.

Sze turns the museum’s Haas Atrium into a shifting landscape of light, sound and movement. Three new monumental paintings sit within a flow of video projections and rhythmic soundscapes that reach across several spaces and floors.

The work draws on the ephemerality of images, the fragility of nature and the passage of time. Its title comes from a 19th-century Emily Dickinson poem. The atrium installation is free to the public.

Full details: [sfmoma.org](https://www.sfmoma.org/exhibition/sarah-sze/)

On On View: https://onview.so/sf/sfmoma/forever-is-composed-of-nows

## Past exhibitions

- [Olafur Eliasson: *One-way colour tunnel*](https://onview.so/sf/sfmoma/one-way-colour-tunnel.md): Aug 1, 2022 – Oct 4, 2026

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On View's listing, as of Tuesday, October 13, 2026. Every gallery and museum in San Francisco: https://onview.so/sf.md. All of On View: https://onview.so/llms.txt
